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All the World's a Stage: The Choral Society (1932-1960)

A virtual exhibition celebrating the history of Drama at Mount Allison University.

The Choral Society (1932-1960)

The organization of the Mount Allison Choral Society began two decades of musical theatre on campus. Under the conductorship of Professor Harold Hamer, many Gilbert and Sullivan productions were performed starting in 1932. Favourites such as "H.M.S. Pinafore," "The Mikado," the "Pirates of Penzance," and "Iolanthe" enriched the theatrical life of the town and were well-received on campus. The final production of "Patience" (1935) was broadcast by the CBC to the rest of Canada after the director of the Halifax broadcasting station wrote to the chairman of the Canadian Radio Commission (later CBC) to say:

"We broadcast one act of 'The Pirates of Penzance' and I never heard anything, by any amateur group, to compare with. They evidently have at Mount Allison talent available, the equal of which is not to be found . . . anywhere in the Maritimes. It was a marvelous broadcast." [1]

A man and a woman stand at centre stage looking at each other. There is a person laying on the ground at their feet in despair. They are surrounded by a cast of more than 80 actors. Most of the men wear pirate costumes while the women wear white day dresses. A few men are wearing military uniforms. One is holding a Union Jack while another holds a black flag with a white skull.

Cast of the Choral Society production of Gilbert and Sullivan’s “Pirates of Penzance” in Charles Fawcett Memorial Hall, 1934

Mount Allison University Archives. Harold Hamer fonds, 8722/1. May only be reproduced with permission of the Mount Allison University Archives.

What made the Choral Society unique was that it was open to members of all three Mount Allison institutions (the University, the Academy, and the Ladies' College). Faculty and staff also frequently partook in its theatrical productions alongside students. The costumes and set designs were elaborate and rehearsals took place over a period of six months or more.

In 1937, the Choral Society began shifting its focus from operas to concerts. They revived the Gilbert and Sullivan productions in 1939, but found the increased demands of wartime activities on campus interfered with the large productions. After their initial success, operas were only staged intermittently in the 1940s and 1950s.

When renowned composer, arranger, and conductor of church music Dr. Alfred Whitehead was appointed dean of music in 1948, The Choral Society changed. For five years under his direction 125 singers performed sacred music at bi-monthly vespers and special events, and an annual major oratorio. Particularly notable was the presentation of Mendelssohn’s “Elijah” in 1952 which attracted high praise from knowledgeable music lovers. 

The Choral Society continued with concerts emphasizing classical music. In 1961 the establishment of the Garnet and Gold Society revived musical theatre on campus, including "H.M.S. Pinafore" (1982) and "The Mikado" (1983).


Productions

For a chronological list of Gilbert & Sullivan productions, please consult the following sources:

Notes

[1] As quoted in "Patience" by Professor Harold Hamer. 1935 Allisonian yearbook, p. 83.